Thursday, March 25, 2010

Mature Ladies Shaving

Let enchant


This year the theme of the week is the enchantment of European photography. We were told that because of the numerous cuts, the event will be reduced compared to previous years, the exhibitions open only on weekends and less numerous (apparently). E 'likely that those "institutional" they are (as they are financed by the municipality) but I am sure that the city will be filled micro-exhibitions everywhere. The bakers, butchers, shops, all esporanno the symbol of belonging to the event even though displaying an image. I do not know what the amount will lead to the quality of the event (we would prefer that the securities of Reggio do the same by opening the vacancies in their environments far more wide-ranging exhibitions), but there is good participation. And these days a city that adheres to a cultural event is already a good first step. But I like the idea that this goes beyond. Beyond the impetus for all to expose something, what is all this visibility? To increase cultural events even during periods outside the festival? To encourage institutions to invest in additional exhibitions or workshops and cultural exchange "European"? Where are the critics, magazines, editors or those supplying the events? They go around to see the exhibits and met institutional nodding to pay so much intellectual effort, here they are around a table to taste the tortellini Reggio who are so good. In Italy this culture that looks down at the table we all levels.
© Elena Fantini

Wednesday, March 24, 2010

European Cookies With Belgian Chocolate Costco

photography magazine online gallery opening May 1

that the Internet has become a customary source of information is well known to all. Even television news and quotes increasingly curious coming from the virtual world. It is not surprising given the speed with which news travels, but also the ease in finding any information. This is also true for the arts. The rest via the internet you can find times, dates and details of all exhibitions in Italy and abroad, and sometimes virtually visit galleries or museums. It can be informed through newsletters or invited to any event through facebook. And not least is the picture through the Internet has found its vent. The Internet has become the most democratic (and sometimes even merit) to describe the picture in all its aspects, technical and artistic. There are constraints in the virtual sea and you can see pretty much everything. Everyone can create a personal website or a blog, or post your pictures on facebook, myspace, flickr, etc. I've heard a lot about photographers and photographic overdose criticize the quantity over quality. Obviously the "democracy" allows the word to all and therefore you will see pictures near amateurish masterpieces. But I think they lost sight of a specific aspect: the freedom of expression that is all and the freedom of choice, or to learn to discern from what you like and that is quality, but from what is banal or mediocre. But it is not the same principle is at the base of our life. Knowledge is a quality that must be constantly nurtured and not a unique moment that ends with the end of the studies.
But beyond these disquisitions of little importance is the fact that the Internet offers us great opportunities. For those who want to take course.
And in this sea of \u200b\u200bcameras online publications (which are not so limited in fact) I found BLUR MAGAZINE: A FREE ONLINE magazine and that leaves virtually every three months and can be downloaded as a pdf from their website (www.blur-magazine.com). The magazine is translated into English and Croatian but still one that hits you are just pictures and portfolios of various artists published. An example of "democracy" because the editors invite readers to send their images or their portfolios.